Friday, September 9, 2011

0

The Magnificent Thad Jones - Thad Jones


















Rating: 5/10
Sound Quality: Lossless
Format: Flac
Record Label: Blue Note
Year Released:1956
Album Covers: Included
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About Thad Jones
Thaddeus Joseph Jones (March 28, 1923 – August 21, 1986) was an American jazz trumpeter, composer, and bandleader.
Thad Jones was born in Pontiac, Michigan to a musical family of ten (an older brother was pianist Hank Jones and a younger brother was drummer Elvin Jones). Thad Jones was a self taught musician, performing professionally by the age of sixteen. He served in U.S. Army bands during World War II (1943–46).
After Army service including an association with the U.S. Military School of Music and working with area bands in Des Moines and Oklahoma City, Thad became a member of the Count Basie Orchestra in May 1954. He was featured as a soloist on such well-known tunes as April in Paris, Shiny Stockings and Corner Pocket. However, his main contribution was his nearly two dozen arrangements and compositions for the Basie Orchestra, including The Deacon, H.R.H. (Her Royal Highness, in honor of the band’s command performance in London), Counter Block, and lesser known gems such as Speaking of Sounds. His hymn-like ballad To You was performed by the Basie band combined with the Duke Ellington Orchestra in their only recording together, and the recording Dance Along With Basie contains nearly an entire album of Jones’ uncredited arrangements of standard tunes.
Jones left the Basie Orchestra in 1963 to become a freelance arranger and studio player in New York. In 1965, he and drummer Mel Lewis formed The Thad Jones / Mel Lewis Orchestra. The group initially began with informal late night jam sessions amongst New York's top studio musicians. The group eventually began performing at the Village Vanguard in February 1966, to wide acclaim, and continued with Jones in the lead for twelve years. They won a 1978 Grammy Award for their album Live in Munich. Jones also taught at William Paterson College in New Jersey, which is now the site of the Thad Jones Archive, containing pencil scores and vintage photos as part of the Living Jazz Archives.
Jones' big band arranging style was unique, especially from the standpoint of featuring dissonant voicings in a tonal context. This required the members of his big band to play correctly in tune, otherwise the dense chords he wrote would not sound correct. Minor 2nds and major 7ths are often featured in his voicings, especially when the entire band plays a long, powerful chord that some would describe as having "bite".
One of the more notable albums he made in this regard is Suite for Pops recorded on the A&M Records "Horizon" label (now out of print) in the early 70's. It also featured the intense bebop improvisations of saxophonist Billy Harper and the high note screech playing of lead trumpet player Jon Faddis.
In 1978, Thad suddenly moved to Copenhagen, Denmark, (to the great surprise of his New York band mates), where several other American jazz musicians had gone to live. Upon Thad’s 1978 departure to live in Europe, the band continued as the Mel Lewis Orchestra until Lewis’ death in February 1990, and thrives to this day as the Vanguard Jazz Orchestra, still including several Thad Jones alumni, continuing the extraordinary Monday night tradition into its fifth decade.
Jones resided in Copenhagen from 1978–1984. He formed a new big band Eclipse which he recorded a live album with, Eclipse. Several Americans were on the album, pianist Horace Parlan, baritonist Sahib Shihab, trumpeter Tim Hagans and trombonist/vocalist Richard Boone along with trombonist Bjarne Thanning, trumpeter Egon Petersen, altoist Ole Nielsen, tenor saxophonist Bent Jædig and Jesper Lundgaard on bass. He further composed for The Danish Radio Big Band and taught jazz at the Royal Danish Conservatory in Copenhagen. He studied composition formally during this period, as well as taking up the valve trombone. In February 1985, he returned to the U.S. to take the leadership of the Basie Orchestra upon his former leader’s death, fronting the Basie band in numerous tours, and writing arrangements for recordings and performances with vocalist Caterina Valente and Manhattan Transfer. He eventually stopped touring completely, and returned to Denmark several months before his death on August 21, 1986.

In later years his playing ability was overshadowed by his composing and arranging skills. His best known composition is the standard "A Child is Born". A year before his death, Jones came back to the U.S. to lead the Count Basie Orchestra but had to step down due to ill health. He returned to his home in Copenhagen for the last few months of his life. He died on August 21, 1986 after being hospitalized for months but his cause of death was not published. At the time of his death he had a six year old child, also named Thad Jones, with his wife Lis Jones, a daughter Thedia and a son Bruce. He is buried in Copenhagen's Vestre Kirkegård Cemetery (Western Churchyard Cemetery).

Wednesday, September 7, 2011

0

Duke Ellington Meets Coleman Hawkins - Duke Ellington & Coleman Hawkins

 
















Rating: 6/10
Sound Quality: Lossless
Format: Flac
Record Label: Impulse
Year Released:1962
Album Covers: Included
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Sunday, September 4, 2011

0

Nights Of Ballads & Blues - McCoy Tyner


















Rating: 6/10
Sound Quality: Lossless
Format: Flac
Record Label: Impulse
Year Released:1963
Album Covers: Included
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Friday, September 2, 2011

2

Afro Baby-The Evolution Of The Afro-Sound In Nigeria 1970-79


















Rating: 6.5/10
Sound Quality: Lossless
Format: Flac
Record Label: Soundway
Year Released: 2004
Album Covers: Included
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Note From Dada!
Μία από τις πρώτες κυκλοφορίες της Soundway και πιο συγκεκριμένα το Νο.2 του καταλόγου της.
Καλή ακρόαση!

Σας φιλώ στο μόντεμ!
Radiodada

Thursday, August 25, 2011

2

Desafinado - Coleman Hawkins



















Rating: 7/10
Sound Quality: Lossless
Format: Flac
Record Label: Impulse
Year Released: 1962
Album Covers: Included
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Links: (Part 1)-(Part 2)

Note From Dada!
Κάποια δισκάκια κάνουν τον κύκλο τους. Έτσι και αυτό το album του "Γερακιού" ενώ υπήρχε κάμποσα χρόνια στη δισκοθήκη μου, φέτος για έναν "άγνωστο" λόγο (όπως άλλωστε συμβαίνει με τη μουσική) κατάφερε αρκετές φορές να μετατρέψει το cdplayer μου στην πιο δροσιστική ηλεκτρική συσκευή του σπιτιού μου.
Νομίζω ότι ιδιαίτερα σ΄αυτο το δίσκο μπορεί κάνεις να καταλάβει γιατί ο πάτερας του τενόρο σαξόφωνου...αποκαλείται πατέρας. Γιατί ακόμα και "έξω απ' τα νερά του" (αν μπορεί κάποιος να το πει αυτό για τον Hawkins βέβαια...) κινούμενος σε latin/bossa nova μονοπάτια, καταφέρνει να διατηρεί τον ήχο του τόσο προσωπικό, ξεχωριστό, ζεστό και συμπαγή ενώ ταυτόχρονα κάθε σόλο και νότα του είναι παιγμένη με ουσία αποφεύγοντας τις φλυαρίες.
Ιδιαίτερα το ομώνυμο Desafinado για εμένα είναι μακράν η καλύτερη προσέγγιση που έκανε jazz μουσικός (μη προερχόμενος από τη Βραζιλία) πάνω στο κλάσικ του Jobim.
Και επειδή κάποιες φορές συλλαμβάνω τον ευατό μου να αισθάνεται ότι τα κείμενα που γράφω για τους δίσκους που αναρτώ, όχι μόνο δεν καταφέρνουν να με εκφράζουν, αλλά αγγίζουν και τα όρια μία "δισκοκριτικής βλακείας" που δεν μου πάει καθόλου...θα δηλώσω λοιπόν απλά κι απέριττα: Έκσταση!

Σας φιλώ στο μόντεμ!
Radiodada

About Coleman Hawkins
Coleman Randolph Hawkins (November 21, 1904 - May 19, 1969), nicknamed "Hawk" and sometimes "Bean", was a prominent jazz tenor saxophonist.
He is commonly regarded as the first important and influential jazz musician to use the instrument: Joachim E. Berendt wrote, "there were some tenor players before him, but the instrument was not an acknowledged jazz horn".
While Hawkins is most strongly associated with the swing music and big band era, he began playing professionally in the early 1920s and was important in the development of bebop in the 1940s. He continued to be influenced by the avant-garde jazz of the 1950s and '60s.
Lester Young, who was called "Pres", 1959 interview with Jazz Review said "As far as I'm concerned, I think Coleman Hawkins was the President first, right? As far as myself, I think I'm the second one."
Miles Davis once said: "When I heard Hawk I learned to play ballads."

Tuesday, August 23, 2011

3

Darkest Light - The Best Of Lafayette Afro-Rock Band


















Rating: 6/10
Sound Quality: Lossless
Format: Flac
Record Label: Strut
Year Released: 2009
Album Covers: Included
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Wednesday, August 17, 2011

2

Studio One Lovers





















Rating:
6/10
Sound Quality: Lossless
Format: Flac
Record Label: Soul Jazz Records
Year Released: 2005
Album Covers: Included
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Tuesday, August 16, 2011

4

Mojo Rocksteady Beat - Sound Dimension



















Rating:
6/10
Sound Quality: Lossless
Format: Flac
Record Label: Soul Jazz Records
Year Released: 2007
Album Covers: Included
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Note From Dada!

Για το "νέο ξεκινήμα" σας τρατάρω μία συλλογή της Soul Jazz Records με πρωταγωνιστές τους Sound Dimension - μία από τις καλύτερες μπάντες της Jamaica.
Καλή ακρόαση!
Radiodada

About the Sound Dimension
The Sound Dimensions was a reggae band formed in 1967 in Kingston, Jamaica. They backed Burning Spear on his debut album, Studio One Presents Burning Spear.

Bass
Lloyd Brevett, Festus Walker, Leroy Sibbles

Keyboards
Jackie Mittoo, Richard Ace, Robbie Lyn, Denzel Laing, Lloyd 'Beardy' Richard, Paul Dixon (AKA Pablove Black), Roland Richard

Saxophone
Cedric Im Brooks, Roland Alphonso, Karl Bryan, Carl McClacking, Ed Bennett

Trombone
Vin Gordon

Trumpet
Johnny "Dizzy" Moore, David Madden

Drums
Lloyd Knibbs, Phil "Fil" Callender, Leroy "Horsemouth" Wallace, Joe Isaacs, Noel Alphonso

Guitar
Ernest Ranglin, Eric Frater, Val Whittaker, Jah Privy

Melodica
Monty Alexander

Vocals
Alton Ellis, Freddie McKay, Leroy Sibbles

Monday, August 15, 2011

3

Contact With Dada

















Hi everybody!
Please write down the e-mail of my blog in case it is down again : contactwithdada[at]gmail[dot]com
Cheers
Stay tuned!
Radiodada


Γεια χαρά σε όλους και όλες!
Σημειώστε  το e-mail του blog σε περίπτωση που η σελίδα ξαναδιαγραφεί: contactwithdada[at]gmail[dot]com 
Σας φιλώ στο μόντεμ!
Radiodada

Saturday, August 13, 2011

11

Dada Is Back!


Το Radiodada Πέθανε! Ζήτω το Radiodada!

Γεια χαρά σε όλους και όλες

Φαντάζομαι ότι οι περισσότεροι από εσάς (λόγω διακοπών) δεν το πείρατε χαμπάρι αλλά στις 08 Αυγούστου που οι μύγες είχαν ήδη άρχισει να πέρνουν τα κιλάκια τους το radio-dada.blogspot.com μας τέλεψε...πάπαλα...γιοκ πως το λένε ρε παιδί μου.
Μου την πέσανε οι κυβερνοχωριάτες και η dada έγινε διαδικτυακό προηγούμενο...
Αυτό βέβαια διήρκεσε μόνο για μία-δυο μερούλες, μέχρι ωσότου δηλαδής της δώκω το φιλί της ζωής και να μαστε πάλι...! dadaisback.blogspot.com

Η αλήθεια είναι ότι μου πήρε κάμποσο χρόνο και κόπο για να επανέλθει το site στη μορφή που ήταν πριν, αλλά το βασικό είναι ότι εκτός από κάποια (αρκετά) comments, κάποια κειμενάκια και 3-4 αναρτήσεις (που θα αποκαταστήσω στο μέλλον) τα οποία χάθηκαν στον αιώνα τον άπαντα, κατά τα άλλα είμαστε μια χαρά.
Όλα στη θέση τους.
Γραντζουνιές...δηλαδή.

Επειδή όμως δεν είναι καθόλου απίθανο να μας φάει πάλι η μαρμάγκα, σημειώστε το mail του blog (contactwithdada@gmail.com) και σε περίπτωση που ξαναπέσει σκοτάδι μεσαιωνικό στείλτε μου μήνυμα για να σας ενημέρωσω για του που θα βρίσκεται η σελίδα.

Καλή συνέχεια σε όλους
Να περνάτε καλά
Σας φιλώ στο μόντεμ!
Radiodada

Υ.Γ.1 Παράκληση. Επειδή υπάρχει αρκετός κόσμος που παρακολουθούσε το blog και δυστυχώς δεν είχα καταφέρει (φυσικά) να κρατήσω επικοινωνία με όλους - όσοι από εσάς μπορείτε και έχετε την καλή διάθεση προωθήστε τη νέα διεύθυνση του blog και το email μου σε όποιον γνωστό ή φίλο σας μπορεί να το αναφορά.
Θενκς ιν αντβανς!

Υ.Γ.2 Παρεπιπτόντως (τελείως συμπτωματικά αλλά και ενημερωτικά) σαν σήμερις πριν από τρία χρονάκια η dada έκανε την πρώτη της ανάρτηση. Άντε και του χρόνου με ηχεία!