Curtis Fuller & Hampton Hawes With French Horns

Rating: 5/10

Sound Quality: 320 kb/s
Format: Mp3
Record Label: New Jazz
Year Released: 1957
Album Covers: Included
Pass: radiodada
Links: rapidshare

About Curtis Fuller

Curtis DuBois Fuller (born in Detroit, December 15, 1934) is a United States hard bop trombonist, primarily known as a member of Art Blakey's Jazz Messengers.

Fuller's parents were Jamaican and died when he was young; he was raised in an orphanage as a result. While in Detroit he was a schoolfriend of Paul Chambers and Donald Byrd, and also knew Tommy Flanagan, Thad Jones and Milt Jackson.

After army service between 1953 and 1955 (when he played in a band with Chambers and brothers Cannonball and Nat Adderley), Fuller joined the quintet of Yusef Lateef, another Detroit musician. In 1957 the quintet moved to New York, and Fuller recorded his first sessions as a leader for Prestige Records.

Alfred Lion of Blue Note Records first heard him playing with Miles Davis in the late fifties, and featured him as a sideman on record dates led by Sonny Clark and John Coltrane; Fuller's work on the latter's Blue Train album is probably his best known recorded performance. Fuller led four dates for Blue Note, though one of these, an album with Slide Hampton, was not issued for many years. Other sideman appearances over the next decade included work on albums under the leadership of Bud Powell, Jimmy Smith, Wayne Shorter, Lee Morgan and Joe Henderson (a former room mate at Wayne State University in 1956). Fuller is particularly proud of being the only trombonist to have recorded with Coltrane, Powell and Smith, all in August or September 1957.

He was also the first trombonist to be a member of the Art Farmer-Benny Golson Jazztet, later becoming the sixth man in Art Blakey's Jazz Messengers in 1961, staying with Blakey until 1965. In the early 1960s he recorded two albums as leader for Impulse! Records, having also recorded for Savoy Records and Epic after his obligations with Blue Note had ended.

In the late sixties he was part of Dizzy Gillespie's band, and he went on to tour with Count Basie and to reunite with Blakey and Golson. He continues to perform and record.

About Hampton Hawes
Hampton Hawes (November 13, 1928 – May 22, 1977) was an African American bebop and hard-bop jazz pianist.

Hampton Hawes was born and raised in Los Angeles, California. His father, Hampton Hawes, Sr., was minister of Westminster Presbysterian Church, and the first African-American to be voted into the National Presbyterian Senate. His mother, Gertrude, was the church pianist.

Hawes' first experience with the piano was as a toddler sitting on his mother's lap while she practiced; he was reportedly able to pick out fairly complex tunes by the age of two. Entirely self-taught, by his teens Hawes was playing with some of the leading jazz musicians on the West Coast, including Dexter Gordon, Wardell Gray, Art Pepper, Shorty Rogers, and Sonny Criss. His second professional job, at 19, was playing for eight months with the Howard McGhee Quintet at the Hi De Ho club, in a group that included Charlie Parker.

After serving in the U.S. army in Japan from 1952-1954, Hawes formed his own trio, with the bassist Red Mitchell and drummer Chuck Thompson. The three-record Trio sessions made by this group in 1955 on Contemporary Records were considered some of the finest records to come out of the West Coast at the time. The next year, Hawes added guitarist Jim Hall for the All Night Sessions - three records made during a non-stop recording session at the Contemporary Studios in Los Angeles.

After a six-month national tour in 1956, Hawes won the 'New Star of the Year' award in a Down Beat magazine poll, and 'Arrival of the Year' in Metronome magazine. The following year, Hawes would record in New York with Charles Mingus, on the album Mingus Three (1957, Roulette.)

Struggling for many years with a heroin addiction, Hawes was arrested in 1958 on his 30th birthday, after being coerced by an undercover federal agent to sell a small amount of heroin. Despite pleading guilty, Hawes was sentenced to 10 years - twice the mandatory minimum - in a federal prison hospital. In the months between his arrest and sentencing, Hawes recorded an album of spirituals and gospel songs, The Sermon, for Contemporary Records. After three years at Fort Worth Federal Medical Facility, in 1961 Hawes was watching President Kennedy's inaugural speech on television when he became convinced that Kennedy would pardon him. In an almost miraculous turn, Kennedy in fact granted Hawes Executive Clemency in 1963, the 42nd of only 43 such pardons issued in the final year of Kennedy's presidency.

After his release, Hawes resumed playing and recording. During a world tour in 1967-68, he was surprised to discover that he had become a legend among jazz listeners in Europe and Japan. During a ten-month period overseas Hawes recorded nine albums, including two duo records with the virtuoso French pianist Martial Solal. In the 1970s, Hawes experimented with electronic music (Fender-Rhodes made a special instrument for him), although eventually he returned to making acoustic music.

Raise Up Off Me, Hawes' autobiography (written with Don Asher) was published in 1974, and shed light on his heroin addiction, the bebop movement, and his friendships with some of the best jazz musicians of his time. The book won the prestigious ASCAP Deems-Taylor Award for music writing in 1975. The Penguin Guide to Jazz calls Raise Up Off Me, "one of the most moving memoirs ever written by a musician, and a classic of jazz writing." A 128-page Hampton Hawes biography/discography was published in England in 1987, co-authored by Roger Hunter and Mike Davis.

As a pianist Hawes's style is instantly recognizable - for its almost unparalleled swing, complex and distinctive approach to harmony, and range of emotional expression, particularly in a blues context. Hawes influenced a great number of other pianists including André Previn, Oscar Peterson, Claude Williamson, Pete Jolly, Toshiko Akiyoshi and others. Hawes' own influences came from a number of sources, including the spirituals he heard in his father's church as a child, and the boogie-woogie piano of Earl Hines. He also learned much from pianists Bud Powell and Nat King Cole among others; his principal source of influence though, was his friend Charlie Parker.

Hampton Hawes died suddenly of a brain hemorrhage in 1977, at only 48 years old. In 2004, the City Council of Los Angeles passed a resolution declaring November 13th 'Hampton Hawes Day' throughout the City of Los Angeles. A feature film about Hawes' life, based on his autobiography, is currently in development.