Rating: 5/10
Sound Quality: 320 kb/s
Format: Mp3
Record Label: Realworld
Year Released: 2008
Album Covers: Included
Pass: radiodada
Links: rapidshare
About Dub Colossus
Recorded by a group of adventurous Ethiopians and Nick Page, one half of the British group Temple Of Sound, Dub Colossus is a unique attempt to mix traditional East African music with the most experimental reggae sounds. Recorded first in Addis Ababa, it was completed in a two-week session at the Real World studios in Wiltshire, thanks to the involvement of the B&W Music Club.
Their first studio was a shed where electricity and water were intermittent and distractions included the noise of children playing outside, women doing their laundry, dogs barking and a cat chasing rats across the roof.
“We said we’d do it for fun,” says singer Tsedenia Gebremarkos. “We sang and did crazy stuff. We weren’t expecting anything to happen. We were just excited that somebody from Europe was interested in our music.”
After a week, the sessions finished and Nick left. “He said he would make something happen,” remembers Samuel Yerga, a 20-year-old piano prodigy. “But he did tell us it might be a long time. We just asked him not to forget us.”
“I’d been happy with the initial album,” says Page, “but when Real World talked about releasing it, they wanted to know if we could record some new stuff for B&W.”
Two years later, in the spring of 2008, most of the musicians regrouped in the west of England to work up some new songs and put finishing touches to those recorded in the shed.
Their first studio was a shed where electricity and water were intermittent and distractions included the noise of children playing outside, women doing their laundry, dogs barking and a cat chasing rats across the roof.
“We said we’d do it for fun,” says singer Tsedenia Gebremarkos. “We sang and did crazy stuff. We weren’t expecting anything to happen. We were just excited that somebody from Europe was interested in our music.”
After a week, the sessions finished and Nick left. “He said he would make something happen,” remembers Samuel Yerga, a 20-year-old piano prodigy. “But he did tell us it might be a long time. We just asked him not to forget us.”
“I’d been happy with the initial album,” says Page, “but when Real World talked about releasing it, they wanted to know if we could record some new stuff for B&W.”
Two years later, in the spring of 2008, most of the musicians regrouped in the west of England to work up some new songs and put finishing touches to those recorded in the shed.
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