Note From Dada!
1. Επειδή καμιά φορά ξεχνάω ποια δισκάκια έχω ανεβάσει σε ετούτο το μπλογκ και ποια όχι (εεε έχουν φτάσει περίπου τα 700 - δεν είναι και λίγα...) και νόμιζα ότι αυτό ο δισκάκι του Wolf το είχα μοιραστεί μαζί σας
2. Επειδή το εν λόγω album του "Λύκου" είναι από τα αγαπημένα μου
3. Επειδή από αυτόν εδώ τον δίσκο (και μερικούς ακόμα) μπορεί κανείς να καταλάβει από πούθε προέκυψε αυτή η "σύγχρονη" σκηνή της "γκαραζομπλουζοψυχεδέλειας" (βλ. The Black Keys, The White Stripes και πάει λέγοντας)
4. Και τέλος επειδή ως γνωστόν ο "Λύκος" είναι ομαδικό πλάσμα σας τρατάρω λοιπόν ένα ακόμα δισκάκι του Howlin Wolf.
Σας φιλώ στο μόντεμ!
Radiodada
Σύνθεση μουσικών:
Howlin' Wolf: guitar, harmonica, vocals
Gene Barge: horn, electric sax
Pete Cosey: guitar, bowed guitar
Hubert Sumlin: guitar
Roland Faulkner: guitar
Morris Jennings: drums
Don Myrick: flute
Louis Satterfield: bass
Phil Upchurch: bass, guitar
Howlin Wolf - Smokestack Lightnin
Howlin Wolf - Evil
About Howlin Wolf
Chester Arthur Burnett (June 10, 1910 – January 10, 1976), known as Howlin' Wolf, was an influential American blues singer, guitarist and harmonica player.
With a booming voice and looming physical presence, Burnett is commonly ranked among the leading performers in electric blues; musician and critic Cub Koda declared, "no one could match Howlin' Wolf for the singular ability to rock the house down to the foundation while simultaneously scaring its patrons out of its wits." A number of songs written or popularized by Burnett—such as "Smokestack Lightnin'", "Back Door Man", "Killing Floor" and "Spoonful"—have become blues and blues rock standards.
At 6 feet, 6 inches (198 cm) and close to 300 pounds (136 kg), he was an imposing presence with one of the loudest and most memorable voices of all the "classic" 1950s Chicago blues singers. This rough-edged, slightly fearsome musical style is often contrasted with the less crude but still powerful presentation of his contemporary and professional rival, Muddy Waters. Howlin' Wolf, Sonny Boy Williamson (Rice Miller), Little Walter Jacobs, and Muddy Waters are usually regarded in retrospect as the greatest blues artists who recorded for Chess in Chicago. Sam Phillips once remarked, "When I heard Howlin' Wolf, I said, 'This is for me. This is where the soul of man never dies.'" In 2004, Rolling Stone magazine ranked him #51 on their list of the "100 Greatest Artists of All Time".
With a booming voice and looming physical presence, Burnett is commonly ranked among the leading performers in electric blues; musician and critic Cub Koda declared, "no one could match Howlin' Wolf for the singular ability to rock the house down to the foundation while simultaneously scaring its patrons out of its wits." A number of songs written or popularized by Burnett—such as "Smokestack Lightnin'", "Back Door Man", "Killing Floor" and "Spoonful"—have become blues and blues rock standards.
At 6 feet, 6 inches (198 cm) and close to 300 pounds (136 kg), he was an imposing presence with one of the loudest and most memorable voices of all the "classic" 1950s Chicago blues singers. This rough-edged, slightly fearsome musical style is often contrasted with the less crude but still powerful presentation of his contemporary and professional rival, Muddy Waters. Howlin' Wolf, Sonny Boy Williamson (Rice Miller), Little Walter Jacobs, and Muddy Waters are usually regarded in retrospect as the greatest blues artists who recorded for Chess in Chicago. Sam Phillips once remarked, "When I heard Howlin' Wolf, I said, 'This is for me. This is where the soul of man never dies.'" In 2004, Rolling Stone magazine ranked him #51 on their list of the "100 Greatest Artists of All Time".
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1 Comments:
gracias, lo estaba buscando
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