Rating: 5/10
Sound Quality: 320 kb/s
Format: Mp3
Record Label: Argo
Year Released: 1964 (Original), 2004 (Reissue)
Album Covers: Included
Pass: radiodada
Links: rapidshare
About Illinois Jacquet
At 15, Jacquet began playing with the Milton Larkin Orchestra, a Houston-area dance band. In 1939, he moved to Los Angeles, California, where he met Nat King Cole. Jacquet would sit in with the trio on occasion. In 1940, Cole introduced Jacquet to Lionel Hampton who had returned to California and was putting together a big band. Hampton wanted to hire Jacquet, but asked the young Jacquet to switch to tenor sax. In 1942, at age 19, Jacquet soloed on the Hampton Orchestra's recording of "Flying Home", one of the very first times a honking tenor sax was heard on record. The record became a hit; a jazz classic as well as what can be considered one of the first rock and roll records. The song immediately became the climax for the live shows and Jacquet became exhausted from having to "bring down the house" every night. The solo was built to weave in and out of the arrangement and continued to be played by every saxophone player who followed Jacquet in the band, notably Arnett Cobb and Dexter Gordon, who achieved almost as much fame as Jacquet in playing it. It is one of the very few jazz solos to have been memorized and played very much the same way by everyone who played the song.
He quit the Hampton band in 1943 and joined Cab Calloway's Orchestra. Jacquet appeared with Cab Calloway's band in Lena Horne's movie Stormy Weather. In 1944 he returned to California and started a small band with his brother Russell and a young Charlie Mingus. It was at this time that he appeared in the Academy Award-nominated short film Jammin' the Blues with Lester Young. He also appeared at the first Jazz at the Philharmonic concert.
In 1946 he moved to New York City and joined the Count Basie orchestra, replacing Lester Young. Jacquet continued to perform (mostly in Europe) in small groups through the 1960s and 1970s. Jacquet led the Illinois Jacquet Big Band from 1981 until his death. Jacquet became the first jazz musician to be an artist-in-residence at Harvard University in 1983. He played "C-Jam Blues" with President Bill Clinton on the White House lawn during Clinton's inaugural ball in 1993. His solos of the early and mid-1940s and his performances at the Jazz at the Philharmonic concert series, greatly influenced rhythm and blues and rock and roll saxophone style, but also continue to be heard in jazz. His honking and screeching emphasized the lower and higher registers of the tenor saxophone. Despite a superficial rawness, the style is still heard in skilled jazz players like Arnett Cobb, who also became famous for playing "Flying Home" with Hampton, as well as Sonny Rollins, Eddie "Lockjaw" Davis and Jimmy Forrest. He passed away in his home in New York City in 2004.
About Kenny Burrell
Kenneth Earl "Kenny" Burrell (born July 31, 1931) is an American jazz guitarist. His playing is grounded in bebop and blues; he has performed and recorded with a wide range of jazz musicians.
Burrell was born in Detroit, Michigan to a musical family and began playing guitar at the age of 12. His influences as a guitar player include Charlie Christian, Django Reinhardt, and Wes Montgomery. While a student at Wayne State University, he made his debut recording as a member of Dizzy Gillespie's sextet in 1951. He toured with Oscar Peterson after graduating in 1955 and then moved to New York City in 1956. A consummate sideman, Burrell recorded with a wide range of prominent musicians, including: John Coltrane, Paul Chambers, Bill Evans, Gil Evans, Stan Getz, Benny Goodman, Wes Montgomery, Billie Holiday, Milt Jackson, Thad Jones, Quincy Jones, Melba Liston, Oscar Peterson, Jimmy Raney, Sonny Rollins, Jimmy Smith, Art Taylor, Stanley Turrentine, Jimmy Witherspoon and Cedar Walton. He also led his own groups since 1951 and recorded many well received albums, most notably Midnight Blue with Stanley Turrentine for Blue Note Records, which is considered a classic of 60s jazz now
3 Comments:
Απΐστευτος δισκος, πραγματικα! Πολλα ευχαριστω στην γιαγιακα.
Να 'σαι καλα Christo...
Η dada σ' ευχαριστεί με τη σειρά της για τα καλά σου λόγια. Ελπίζω να βρείς κι άλλες μουσικές στο blog που θα σου αρέσουν εξίσου. Εύχομαι να τα ξαναπούμε...
Keep on listening...
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